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Disappointing Performances in Pakistani Dramas of 2024: Sonia Hussain, Neelam Muneer, and Others Fail to Impress

Karachi: Pakistani dramas have garnered praise both locally and internationally, with some standout performances in 2024 capturing the audience’s attention. However, not all performances in the popular shows were up to the mark. While exceptional acting can elevate an average storyline, there were several performances this year that failed to meet expectations, leaving fans disappointed and frustrated.
Sonia Hussain in Akhara
Sonia Hussain’s portrayal in the sports thriller Akhara was one of the most disappointing this year. Despite the show’s intriguing plot and the physical transformation of its cast, Hussain’s performance fell flat. Her character’s styling was mismatched, and her portrayal lacked depth, failing to sync with the story. The lack of chemistry between her and co-actor Shehzad Nawaz further highlighted her unsuitability for the role.
Neelam Muneer in Khumar
Neelam Muneer’s performance in Khumar also failed to leave a lasting impression. While her character was meant to be simple and positive, Muneer’s over-the-top expressions and forced dramatization detracted from the emotional essence of the show. Her exaggerated reactions turned otherwise ordinary scenes into something resembling a horror movie, undermining the story’s emotional depth.
Arslan Naseer in Radd
Arslan Naseer’s portrayal in Radd received widespread criticism. While his co-stars, Shahryar Munawar and Hiba Bukhari, were praised for their performances, Naseer’s portrayal was criticized for being out of sync with the storyline. His acting seemed incoherent and lacking in substance, raising questions about his casting in major dramas.
Amar Khan in Dil-e-Nadaan
Amar Khan’s performance in Dil-e-Nadaan was another letdown of the year. Her attempt to play the role of an innocent and simple girl was marred by overacting, making it hard to connect with the character. Her exaggerated performance disrupted the subtlety required for the role, making the drama less enjoyable to watch.
Azekah Daniel in Mein
Azekah Daniel’s performance in Mein also failed to connect with the audience. Her lack of expression and monotony made it difficult for viewers to engage with her character. Despite being part of a popular drama, her portrayal fell short of expectations, leaving fans disappointed.
Yashma Gill in Ghair
Yashma Gill’s portrayal of Sharifa in Ghair was another weak link in the drama. Her performance and unconventional wardrobe choices clashed with the overall tone of the show, creating confusion. Her inconsistent expressions and perplexing styling made it harder for viewers to relate to her character.
Ashna Shah in Ghair
Ashna Shah’s performance in Ghair also missed the mark. Known for her powerful performances in the past, Shah’s portrayal of Wafa lacked emotional depth and connection. Her flashy appearance was at odds with the character’s struggles, making her performance feel one-dimensional and uninspiring.
Maya Ali in Sun Mere Dil
Maya Ali, a seasoned performer, failed to impress in Sun Mere Dil. Her forced expressions and rigid dialogue delivery made her portrayal of Sadf unconvincing, leaving fans disappointed, especially those who had high expectations from the actress.
Sarah Khan in Namak Haram
Sarah Khan’s performance in Namak Haram was another major disappointment. Her lackluster portrayal and lack of energy made her character seem robotic, which detracted from the overall impact of the show. The repetitive storyline and Khan’s uninspiring performance left audiences unimpressed.
Shaherbano Rahmani in Bismil
While Bismil was one of the year’s biggest hits, Shaherbano Rahmani’s performance as Momal was among the weakest. This was her first project, and while she may improve with time, her acting in Bismil didn’t match the caliber of her co-stars, which impacted the show’s overall appeal.
In a year full of mixed performances, these actors’ portrayals in 2024 left fans with much to be desired, signaling the importance of not only a good storyline but also the critical need for strong, believable performances to make a drama truly resonate with the audience.

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